1
00:00:28,878 --> 00:00:30,855
I KNOW EXACTLY
WHAT HAPPENED

2
00:00:30,888 --> 00:00:32,302
�CAUSE IT ALMOST GOT
MY LEG BLOWN OFF.

3
00:00:32,302 --> 00:00:34,044
TELL ME, BRIEFLY,
EXACTLY WHAT HAPPENED.

4
00:00:34,078 --> 00:00:36,689
THOSE TWO FOOL TEENAGERS
COME RUNNING PAST ME,

5
00:00:36,722 --> 00:00:39,237
THEN TURN AND ALMOST SHOOT
DIRECTLY AT MY LEG.

6
00:00:39,271 --> 00:00:42,319
YOU KNOCKED YOUR LEG
AGAINST THIS CORNER HERE.

7
00:00:42,352 --> 00:00:44,896
YOU WOULD LIE
IN CHURCH ON SUNDAY.

8
00:00:44,929 --> 00:00:46,506
NOW THAT WAS
AN EXECUTION.

9
00:00:46,539 --> 00:00:48,114
HE KNEW THAT
MAN, AND HE WAS WAITING FOR HIM.

10
00:00:48,148 --> 00:00:49,887
HE SHOT HIM DOWN
AND FINISHED HIM OFF.

11
00:00:49,921 --> 00:00:52,066
BOTH THOSE MEN WERE
POLICE OFFICERS, MR. LEWIS.

12
00:00:52,100 --> 00:00:53,274
DON�T CHANGE
NOTHING.

13
00:00:53,307 --> 00:00:54,912
WE GOT 2 COPS DOWN.

14
00:00:54,946 --> 00:00:57,160
SZYMANSKI�S OFF DUTY,
GETS SHOT IN THE SHOULDER

15
00:00:57,193 --> 00:00:58,766
COMING OUT OF
THAT DRY CLEANER,

16
00:00:58,799 --> 00:01:01,481
SHOOTS THE OTHER GUY,
WHO�S A STREET CRIME PLAINCLOTHESMAN

17
00:01:01,514 --> 00:01:03,155
IN THE MIDDLE OF A FOOT
PURSUIT WITH HIS PARTNER.

18
00:01:03,190 --> 00:01:04,829
WHO WERE THE
PLAINCLOTHESMEN CHASING?

19
00:01:04,862 --> 00:01:06,806
2 KIDS WITH A GUN.
THEY PULLED A HOLDUP 3 BLOCKS DOWN.

20
00:01:06,839 --> 00:01:07,811
THEY GOT AWAY.

21
00:01:07,844 --> 00:01:09,186
THE KIDS SHOT SZYMANSKI

22
00:01:09,220 --> 00:01:10,459
OR THE PLAINCLOTHESMEN DID?

23
00:01:10,492 --> 00:01:12,802
THE PLAINCLOTHESMAN
THAT ISN�T WOUNDED

24
00:01:12,836 --> 00:01:15,384
SAID HE NOR HIS PARTNER
EVER THREW A SHOT,

25
00:01:15,417 --> 00:01:17,661
AND THE KIDS THEY WERE
CHASING NEVER TURNED AROUND.

26
00:01:17,694 --> 00:01:19,437
WHAT�S THE WOUNDED
PLAINCLOTHESMAN�S NAME?

27
00:01:19,471 --> 00:01:21,647
HUDSON, AND HIS PARTNER�S
NAME�S DONALDSON.

28
00:01:23,256 --> 00:01:24,796
THIS COULD BE
SOME JACKPOT.

29
00:01:24,829 --> 00:01:27,108
LISTEN, DON�T PUSH HIM,
BUT SEE CAN HE TELL YOU ANYTHING.

30
00:01:31,964 --> 00:01:33,574
I�M ON FOOT POST.

31
00:01:33,607 --> 00:01:35,350
I WAS ACTUALLY
DOWN A WAYS.

32
00:01:35,384 --> 00:01:37,661
THEY�LL STILL PROBABLY
WANT TO TALK TO YOU.

33
00:01:37,694 --> 00:01:40,174
SURE. IT�S JUST THAT
I DIDN�T SEE MUCH.

34
00:01:40,207 --> 00:01:43,691
YEAH. WELL, THEY JUST WANT
TO TOUCH ALL THE BASES.

35
00:01:43,724 --> 00:01:44,862
IT�S ANDY SIPOWICZ,
SZYMANSKI.

36
00:01:44,896 --> 00:01:46,002
WHAT HAPPENED HERE?

37
00:01:46,035 --> 00:01:47,511
THIS WAS NOT RACIAL.

38
00:01:47,544 --> 00:01:49,151
DON�T TELL ME
WHAT IT WASN�T.

39
00:01:49,184 --> 00:01:50,592
I DIDN�T KNOW
HE WAS A COP.

40
00:01:50,626 --> 00:01:51,931
HE SHOT ME AND I DIDN�T
KNOW WHO HE WAS.

41
00:01:51,964 --> 00:01:53,406
YOU�RE SURE
HE SHOT FIRST?

42
00:01:53,441 --> 00:01:55,551
I�M SHOT. I SEE HIM
POINTING HIS GUN AT ME.

43
00:01:55,584 --> 00:01:56,622
I RETURNED FIRE.

44
00:01:56,656 --> 00:01:58,196
HIS PARTNER SAYS NEITHER
OF THEM TWO SHOT.

45
00:01:58,230 --> 00:01:59,370
I�D JUST BEEN SHOT.

46
00:01:59,403 --> 00:02:00,776
THE GUY I SHOT WAS
POINTING HIS GUN AT ME.

47
00:02:00,809 --> 00:02:02,786
WHAT THE HELL
WAS I SUPPOSED TO DO?

48
00:02:02,819 --> 00:02:04,596
ALL RIGHT, CALM DOWN,
SZYMANSKI. LOWER YOUR VOICE.

49
00:02:04,629 --> 00:02:06,739
IF IT WASN�T HIM,
WHO THE HELL WAS IT?

50
00:02:06,772 --> 00:02:07,811
THE KID
WAS ON FOOT POST.

51
00:02:07,844 --> 00:02:09,587
HE�S WORTH
A CONVERSATION.

52
00:02:09,621 --> 00:02:11,831
SAYS HE DIDN�T SEE
ANYTHING, TWICE.

53
00:02:11,864 --> 00:02:14,546
GET YOURSELF LOOKED AT.
WE�LL TALK MORE AT THE HOUSE.

54
00:02:14,579 --> 00:02:16,186
THAT GUY SWEARS
THE KIDS DID THE ROBBERY

55
00:02:16,219 --> 00:02:17,325
LIVE IN
THE BARUCH PROJECTS.

56
00:02:17,359 --> 00:02:19,871
THEM AND 10,000
OTHER PEOPLE.

57
00:02:19,904 --> 00:02:22,518
HE SAYS HE�D KNOW �EM
IF HE SAW �EM AGAIN.

58
00:02:22,552 --> 00:02:23,423
ANYWAYS, WE�LL
RIDE HIM OVER

59
00:02:23,456 --> 00:02:24,428
AND SEE WHAT
HE COMES UP WITH.

60
00:02:24,461 --> 00:02:25,734
YEAH, WE�LL GO CANVASS.

61
00:02:25,767 --> 00:02:27,174
HEY, ANDY.

62
00:02:27,208 --> 00:02:28,882
POSSIBLE COMPLICATION.

63
00:02:28,916 --> 00:02:30,792
OUR BOSS HAS IT IN
FOR THIS SZYMANSKI.

64
00:02:30,826 --> 00:02:34,310
OVER WHAT? WHAT�S THE BOSS
PISSED OFF ABOUT?

65
00:02:34,344 --> 00:02:37,727
GETTING STOPPED
FOR A BUSTED TAILLIGHT 2 YEARS AGO

66
00:02:37,761 --> 00:02:39,972
AND THE DEATH OF
MARTIN LUTHER KING.

67
00:04:02,617 --> 00:04:04,025
WHAT DO YOU KNOW
ABOUT IT?

68
00:04:04,058 --> 00:04:06,068
MY DETECTIVES HAVEN�T
GOT BACK YET.

69
00:04:06,102 --> 00:04:07,709
YOU KNOW IT�S SZYMANSKI.

70
00:04:07,743 --> 00:04:11,763
YEAH. I KNOW SZYMANSKI�S
ONE OF THE COPS INVOLVED.

71
00:04:11,796 --> 00:04:13,304
BEING HE IS, WOULD YOU
BE MORE COMFORTABLE

72
00:04:13,338 --> 00:04:14,745
I.A.B. COMING IN FRONT
ON THIS ONE?

73
00:04:14,778 --> 00:04:15,984
NO.

74
00:04:16,018 --> 00:04:18,095
I�M SAYING WITH YOUR
HISTORY WITH THIS GUY.

75
00:04:18,128 --> 00:04:20,841
AND I�M SAYING I�M COMFORTABLE
RUNNING THE INVESTIGATION.

76
00:04:22,971 --> 00:04:24,445
YOU CHECK WITH
THE HOSPITAL?

77
00:04:24,445 --> 00:04:25,860
SZYMANSKI�S BEEN TREATED
AND RELEASED.

78
00:04:25,893 --> 00:04:27,601
ANDY AND THE CRIME GUYS
ARE BRINGING IN HIM

79
00:04:27,634 --> 00:04:29,611
AND THE PARTNER OF THE
PLAINCLOTHES COP HE SHOT.

80
00:04:29,644 --> 00:04:32,593
THE PLAINCLOTHES SZYMANSKI
SHOT CAN�T GIVE US ANYTHING?

81
00:04:32,626 --> 00:04:34,703
NO. HE�S JUST HANGING ON.

82
00:04:37,886 --> 00:04:39,729
IF IT IS RACIAL,
THIS IS A DISASTER.

83
00:04:41,403 --> 00:04:43,547
SZYMANSKI PUT 5 IN HIM.

84
00:04:43,581 --> 00:04:46,395
THERE�S NO WAY
TO PRETTY THAT UP.

85
00:04:46,428 --> 00:04:49,142
NOT THAT ANYONE
WOULD WANT TO.

86
00:04:49,176 --> 00:04:52,525
I�LL KEEP YOU UP TO SPEED.

87
00:04:52,558 --> 00:04:54,904
LIKE I SAID, ANYTIME
YOU�RE MORE COMFORTABLE

88
00:04:54,938 --> 00:04:57,417
US GETTING IN FRONT,
THAT�S ALL RIGHT, TOO.

89
00:04:57,450 --> 00:04:59,393
YEAH.

90
00:04:59,427 --> 00:05:00,767
I�M GONNA HANDLE IT.

91
00:05:09,109 --> 00:05:10,648
JUST GIVE US A SECOND.

92
00:05:10,683 --> 00:05:11,688
SURE.

93
00:05:11,721 --> 00:05:13,196
JUST GOTTA TALK
TO OUR BOSS.

94
00:05:13,229 --> 00:05:14,837
NO PROBLEM.

95
00:05:16,378 --> 00:05:17,517
HOW�S IT GOING?

96
00:05:17,550 --> 00:05:18,689
THE BETTER FOR SEEING YOU.

97
00:05:22,844 --> 00:05:24,820
THAT�S THE RAT SQUAD.

98
00:05:24,854 --> 00:05:27,935
YEAH, THEY�D SOMETIMES
HAVE TO DO WITH US OVER IN NARCOTICS.

99
00:05:27,969 --> 00:05:29,979
DON�T BREAK BALLS.

100
00:05:32,391 --> 00:05:33,899
THEY�RE BRINGING SZYMANSKI

101
00:05:33,932 --> 00:05:36,111
AND THE SHOT UNDERCOVER�S
PARTNER FROM BELLEVUE.

102
00:05:36,144 --> 00:05:38,287
THAT ROOKIE COP WAS
ALSO ON THE SCENE.

103
00:05:38,321 --> 00:05:39,660
FOR A GUY WITH
NOTHING TO TELL US

104
00:05:39,693 --> 00:05:41,102
HE WAS HANGING
AROUND PRETTY GOOD.

105
00:05:41,136 --> 00:05:42,675
SO, ANDY, YOU�LL TALK
TO THIS ROOKIE COP?

106
00:05:44,384 --> 00:05:47,166
NO. BEING SZYMANSKI�S
THE PRINCIPAL PLAYER,

107
00:05:47,199 --> 00:05:48,538
I THOUGHT I�D TALK
WITH SZYMANSKI.

108
00:05:48,572 --> 00:05:50,482
ALL RIGHT.

109
00:05:50,515 --> 00:05:51,653
SO I�LL TALK WITH
THIS ROOKIE COP BAKER?

110
00:05:51,687 --> 00:05:53,196
YEAH, GOOD.

111
00:05:53,229 --> 00:05:54,167
Danny:
LET ME GET HIM A SODA.

112
00:05:57,550 --> 00:05:58,857
SO WHEN SZYMANSKI
GETS HERE,

113
00:05:58,890 --> 00:06:01,168
YOU MIND IF I SIT IN
ON YOUR INTERVIEW?

114
00:06:01,202 --> 00:06:02,608
SIT IN MEANING WATCH?

115
00:06:02,642 --> 00:06:05,590
WELL, IF
I MEANT WATCH, ANDY, I WOULD�VE SAID WATCH.

116
00:06:05,623 --> 00:06:09,040
SO SIT IN MEANS THAT
YOU MAY WANT TO BE ASKING QUESTIONS?

117
00:06:09,074 --> 00:06:10,917
IF THE SPIRIT
MOVES ME, YEAH.

118
00:06:10,950 --> 00:06:12,759
YOU DO THE INTERVIEW.

119
00:06:12,793 --> 00:06:15,507
I DIDN�T SAY I WANTED
TO DO THE INTERVIEW.

120
00:06:15,540 --> 00:06:17,349
NO, YOU DO THE INTERVIEW.

121
00:06:17,382 --> 00:06:19,929
�CAUSE I AM NOT GONNA HAVE
SOMEONE SITTING OVER ME

122
00:06:19,962 --> 00:06:21,336
LIKE A GUILTY CONSCIENCE??

123
00:06:21,369 --> 00:06:22,809
"DID YOU SCREW THIS GUY
TO THE WALL HARD ENOUGH

124
00:06:22,843 --> 00:06:25,657
OVER SHOOTING THAT INNOCENT
BLACK PLAINCLOTHESMAN?"

125
00:06:33,731 --> 00:06:35,238
SZYMANSKI,

126
00:06:35,271 --> 00:06:37,751
TALK TO ME HERE
IN THE COFFEE ROOM.

127
00:06:37,784 --> 00:06:38,756
TALK TO YOU?

128
00:06:38,789 --> 00:06:41,000
YEAH, TALK TO ME.

129
00:06:48,035 --> 00:06:49,677
HOW YOU DOING, DONALDSON?

130
00:06:51,519 --> 00:06:52,826
HOW YOU DOING?

131
00:06:55,171 --> 00:06:56,779
SORRY ABOUT
YOUR PARTNER.

132
00:06:56,813 --> 00:06:59,728
HE DID ME A SOLID ONCE
WHEN I WAS FIRST COP ON THE SCENE.

133
00:06:59,761 --> 00:07:01,401
YEAH, THAT SOUNDS
LIKE HIM.

134
00:07:03,512 --> 00:07:06,293
SORRY ABOUT
YOUR PARTNER, TOO.

135
00:07:12,055 --> 00:07:14,769
JIMMY STUPEK STILL BREAKING
BALLS AT THE ACADEMY?

136
00:07:14,803 --> 00:07:16,376
MR. CLEAN?

137
00:07:16,410 --> 00:07:17,784
YEAH, HE�S
STILL TEACHING MARTIAL ARTS.

138
00:07:17,818 --> 00:07:19,425
YOU GUYS CALLED HIM
MR. CLEAN?

139
00:07:19,458 --> 00:07:20,632
YEAH, THE SHAVED HEAD,

140
00:07:20,665 --> 00:07:22,139
LOOKS EXACTLY
LIKE THAT GENIE

141
00:07:22,173 --> 00:07:23,748
ON THE MR. CLEAN
BOTTLES.

142
00:07:23,781 --> 00:07:26,193
WHEN I WAS THERE
HE STILL HAD LIKE A BOZO FRINGE.

143
00:07:26,226 --> 00:07:28,939
I GUESS HE WENT
TOTAL AFTER I LEFT.

144
00:07:28,973 --> 00:07:31,720
SO WHAT DO YOU GOT
FOR ME, NEIL?

145
00:07:31,754 --> 00:07:36,041
ON THE SHOOTING INCIDENT
I GOT NOTHING, YOU KNOW?

146
00:07:36,074 --> 00:07:38,253
JUST THAT IT�S
A HELL OF A THING.

147
00:07:38,286 --> 00:07:40,196
THE PLAINCLOTHES
COP DOWN.

148
00:07:40,230 --> 00:07:41,435
THE WHOLE THING.

149
00:07:41,468 --> 00:07:43,043
YOU KNOW,
THE OFF?DUTY COP

150
00:07:43,076 --> 00:07:44,617
GOT ONE IN
THE SHOULDER ALSO.

151
00:07:44,651 --> 00:07:45,791
THAT SZYMANSKI?

152
00:07:49,174 --> 00:07:51,218
ALL RIGHT, WELL,
WHY DON�T YOU GIVE ME

153
00:07:51,251 --> 00:07:53,595
THE NOTHING?YOU?GOT?
FOR?ME IN DETAIL, NEIL,

154
00:07:53,629 --> 00:07:55,305
SO INSTEAD OF
SPENDING THE AFTERNOON

155
00:07:55,338 --> 00:07:57,315
WITH MY PAIN?IN?THE?BALLS
DINOSAUR PARTNER

156
00:07:57,348 --> 00:08:00,664
PISSING IN MY EAR I GOT
INADEQUATE INFORMATION,

157
00:08:00,698 --> 00:08:02,943
I CAN SPEND IT HIM
PISSING IN MY EAR I GOT TOO MUCH.

158
00:08:02,976 --> 00:08:04,450
THAT�S THAT SIPOWICZ.

159
00:08:04,483 --> 00:08:05,621
YEAH, HE�S
BREAKING ME IN.

160
00:08:05,655 --> 00:08:08,873
GIVING ME THE ADVANCED
COURSE IN ANXIETY.

161
00:08:08,906 --> 00:08:11,083
"ONE THING YOU WANT
TO AVOID, DANNY,

162
00:08:11,116 --> 00:08:13,261
"THE ONE THING YOU
WANT TO AVOID??

163
00:08:13,295 --> 00:08:14,769
"DO NOT MAKE A MISTAKE

164
00:08:14,803 --> 00:08:16,676
"YOUR OPENING YEARS
ON THE JOB.

165
00:08:16,710 --> 00:08:18,420
"A MISTAKE COMING UP
WILL HAUNT YOU

166
00:08:18,453 --> 00:08:20,396
YOUR REMAINING CAREER."

167
00:08:20,430 --> 00:08:23,545
SO THAT�S GOT ME GOOD
AND RELAXED.

168
00:08:23,578 --> 00:08:25,321
YEAH, I KNOW
HOW THAT GOES.

169
00:08:25,355 --> 00:08:27,498
I DON�T THINK
YOU CAN DO THE JOB

170
00:08:27,531 --> 00:08:29,173
LOOKING OVER YOUR OWN
SHOULDER LIKE THAT.

171
00:08:29,206 --> 00:08:31,183
I DO WHAT I THINK
IS RIGHT,

172
00:08:31,216 --> 00:08:33,595
AND I�M NOT TYING
MYSELF UP AFTER WITH SECOND?GUESSING.

173
00:08:33,628 --> 00:08:35,505
YEAH, WELL.

174
00:08:35,538 --> 00:08:37,280
YEAH, WELL, WHAT?

175
00:08:37,315 --> 00:08:41,301
YEAH, WELL, IT�S EASY NOT
SECOND?GUESSING YOURSELF

176
00:08:41,335 --> 00:08:43,478
IF YOU HAVEN�T DONE
ANYTHING WRONG...

177
00:08:43,511 --> 00:08:45,555
AND MAKING HYPOTHETICAL
STATEMENTS.

178
00:08:45,588 --> 00:08:48,336
YEAH, WELL,
THAT�S THE POINT.

179
00:08:48,370 --> 00:08:49,878
YEAH.

180
00:08:53,931 --> 00:08:57,884
ALTHOUGH IF I DID
WHATEVER I DID

181
00:08:57,918 --> 00:08:59,726
AND MY INTENTIONS
WERE RIGHT,

182
00:08:59,759 --> 00:09:02,004
BY ME NOT
SECOND?GUESSING MYSELF

183
00:09:02,038 --> 00:09:03,344
OR COVERING THINGS UP,

184
00:09:03,378 --> 00:09:06,024
I GOT A CHANCE MY
INTENTIONS COMING OUT.

185
00:09:06,058 --> 00:09:08,503
THOSE ARE SEEN, AND NOT
JUST WHATEVER I DID.

186
00:09:08,536 --> 00:09:10,312
YEAH, WELL, WHAT IS IT
YOU�RE TRYING TO SAY?

187
00:09:10,345 --> 00:09:11,887
WHAT ARE YOU DRIVING AT?

188
00:09:11,920 --> 00:09:14,400
I�M TALKING
TO ANOTHER COP, NEIL.

189
00:09:14,433 --> 00:09:17,146
I�M NOT DRIVING
AT NOTHING.

190
00:09:17,179 --> 00:09:19,324
I�M SAYING IF ANOTHER
COP TOLD ME SOMETHING

191
00:09:19,357 --> 00:09:22,004
WHERE SOME INTENTION
OF HIS WENT WRONG,

192
00:09:22,038 --> 00:09:24,181
I�M MAKING DAMN SURE
HIS INTENTIONS

193
00:09:24,214 --> 00:09:27,129
CAST A GOOD STRONG LIGHT
ON WHATEVER IT IS HE DID

194
00:09:27,163 --> 00:09:29,073
THAT DIDN�T HAVE
THE OUTCOME HE WANTED.

195
00:09:29,106 --> 00:09:31,384
I�M MAKING
DAMN SURE OF THAT.

196
00:09:31,417 --> 00:09:33,026
BUT FIRST I GOTTA KNOW
WHAT HAPPENED.

197
00:09:44,148 --> 00:09:46,861
WELL, MAYBE I GOT
SOMETHING TO SAY.

198
00:09:46,894 --> 00:09:49,206
Szymanski:
I HEAR A SHOT OUTSIDE.

199
00:09:49,239 --> 00:09:50,278
I DRAW MY GUN.

200
00:09:52,958 --> 00:09:56,409
MY FIRST STEP OUT,
A ROUND HITS ME IN THE ARM.

201
00:09:56,442 --> 00:10:00,696
SOMEONE DRESSED
LIKE A BAD GUY IS POINTING HIS GUN AT ME.

202
00:10:00,731 --> 00:10:02,807
I DEFENDED MYSELF.

203
00:10:02,841 --> 00:10:04,281
WHAT WOULD YOU DO?

204
00:10:04,314 --> 00:10:06,995
THE GUY DRESSED
AS A BAD GUY IS HUDSON.

205
00:10:07,028 --> 00:10:09,675
THE PLAINCLOTHES COP,
AS I FOUND OUT LATER.

206
00:10:09,708 --> 00:10:13,025
AND YOU BELIEVED IT WAS
HUDSON WHO HAD FIRED ON YOU.

207
00:10:13,058 --> 00:10:14,700
RIDING OVER HERE,
AFTER THE FACT,

208
00:10:14,734 --> 00:10:18,218
HIS PARTNER DONALDSON
TELLS ME HUDSON DIDN�T FIRE...

209
00:10:18,251 --> 00:10:19,792
AND HE DIDN�T FIRE
EITHER.

210
00:10:19,826 --> 00:10:21,736
AND YOU SHOT HUDSON
5 TIMES.

211
00:10:23,276 --> 00:10:25,152
SOMEBODY FIRED ON ME,
LIEUTENANT,

212
00:10:25,185 --> 00:10:27,899
AND IT SURE AS HELL
LOOKED LIKE IT WAS HIM.

213
00:10:29,540 --> 00:10:31,718
WHAT WAS THIS,

214
00:10:31,752 --> 00:10:32,791
THE PHANTOM BULLET?

215
00:10:35,638 --> 00:10:37,245
ME AND HUDSON

216
00:10:37,279 --> 00:10:40,595
WERE ON OPPOSITE SIDES
OF THE STREET PURSUING 2 ROBBERY SUSPECTS.

217
00:10:40,629 --> 00:10:42,741
I�M LOOKING AHEAD OF ME
UP THE STREET.

218
00:10:42,774 --> 00:10:44,817
I HEAR THIS GUNSHOT
OVER ON HUDSON�S SIDE.

219
00:10:44,851 --> 00:10:46,290
I SEE THIS GUY.

220
00:10:46,324 --> 00:10:48,535
I DON�T KNOW WHO HE IS,
THIS SZYMANSKI.

221
00:10:48,569 --> 00:10:50,947
NOW, HE�S HOLDING A HANDGUN
AND HE SHOOTS HUDSON,

222
00:10:50,981 --> 00:10:52,791
CLOSE RANGE,
A BUNCH OF TIMES.

223
00:10:52,824 --> 00:10:55,168
NEITHER YOU OR HUDSON
ARE WEARING YOUR VESTS AT THE TIME?

224
00:10:55,202 --> 00:10:57,078
MAN, YOU KNOW
HOW UNCOMFORTABLE THOSE THINGS ARE.

225
00:10:57,112 --> 00:11:00,864
ALL RIGHT. SO YOU SEE
HUDSON GETTING SHOT A BUNCH OF TIMES

226
00:11:00,897 --> 00:11:02,572
WHILE YOU�RE RUNNING
ACROSS THE STREET TO HELP HIM?

227
00:11:02,605 --> 00:11:04,080
I�M RUNNING
ACROSS THE STREET.

228
00:11:04,113 --> 00:11:05,856
I�M SHOUTING,
"WE�RE COPS."

229
00:11:05,889 --> 00:11:07,697
CRAZY AS HE LOOKED,

230
00:11:07,731 --> 00:11:10,712
NEVER OCCURRED TO ME
THIS GUY STANDING OVER HUDSON,

231
00:11:10,747 --> 00:11:12,622
THIS SZYMANSKI,
WAS A COP, TOO.

232
00:11:12,655 --> 00:11:14,062
UNTIL HE
IDENTIFIED HIMSELF.

233
00:11:14,097 --> 00:11:15,738
YEAH. UNTIL HE
IDENTIFIED HIMSELF,

234
00:11:15,772 --> 00:11:17,447
IT NEVER OCCURRED TO ME.

235
00:11:17,480 --> 00:11:19,859
SO THE OTHER COPS�D
KNOW WHO YOU WERE,

236
00:11:19,892 --> 00:11:21,700
YOU AND YOUR PARTNER
IN PLAINCLOTHES,

237
00:11:21,735 --> 00:11:23,812
I�M ASSUMING
THAT THE BOTH OF YOU

238
00:11:23,846 --> 00:11:25,922
WERE WEARING
THE COLOR OF THE DAY.

239
00:11:34,297 --> 00:11:36,207
YOU WITH ME,
DONALDSON?

240
00:11:36,240 --> 00:11:38,049
COLOR OF THE DAY
FOR PLAINCLOTHES??

241
00:11:38,082 --> 00:11:39,222
WERE YOU WEARING �EM?

242
00:11:39,255 --> 00:11:41,332
NO, WE WERE NOT.

243
00:11:45,418 --> 00:11:46,793
NO, YOU WERE NOT.

244
00:11:46,826 --> 00:11:49,640
SIPOWICZ, YOU KNOW
AS WELL AS I DO

245
00:11:49,674 --> 00:11:53,292
PLAINCLOTHES DON�T WEAR
THE COLOR ALL THE TIME SO THEY DON�T GET MADE.

246
00:11:53,325 --> 00:11:55,604
THEY PUT IT ON
WHEN TROUBLE JUMPS OFF.

247
00:11:55,637 --> 00:11:58,217
AND THIS THAT HAPPENED
IN THE STREET TODAY??

248
00:11:58,250 --> 00:11:59,791
THAT DON�T COUNT
AS TROUBLE?

249
00:11:59,825 --> 00:12:01,466
IT JUMPED OFF TOO QUICK.

250
00:12:01,499 --> 00:12:03,208
THE TROUBLE
HAPPENED TOO FAST.

251
00:12:03,242 --> 00:12:06,591
NOW, WE WERE CHASING BAD GUYS.
WE COULDN�T GET THE COLORS ON.

252
00:12:07,765 --> 00:12:10,076
YOU UNDERSTAND
WHAT HAPPENED?

253
00:12:10,109 --> 00:12:11,147
YEAH, I DO.

254
00:12:13,091 --> 00:12:15,335
I�LL BE BACK WITH YOU
IN A MINUTE.

255
00:12:19,455 --> 00:12:20,594
WHEN THE TROUBLE STARTS,

256
00:12:20,628 --> 00:12:22,270
HIM AND
THE SHOT PLAINCLOTHES

257
00:12:22,303 --> 00:12:24,681
AREN�T WEARING
THE COLOR OF THE DAY.

258
00:12:24,715 --> 00:12:27,798
HOW WAS SZYMANSKI
SUPPOSED TO KNOW THAT THESE GUYS ARE COPS?

259
00:12:27,831 --> 00:12:28,936
THIS BAKER, ANDY,

260
00:12:28,970 --> 00:12:30,446
HE SAYS NOW
HE THREW A SHOT IN THE STREET.

261
00:12:30,446 --> 00:12:31,241
FROM WHERE?

262
00:12:31,276 --> 00:12:33,017
FROM THE OTHER SIDE
OF THESE PLAINCLOTHES,

263
00:12:33,051 --> 00:12:34,424
FROM WHERE SZYMANSKI WAS.

264
00:12:34,457 --> 00:12:37,037
HE SAYS HE THINKS
IT�S HIS BULLET HIT SZYMANSKI.

265
00:12:37,071 --> 00:12:39,550
IF THE BAD GUYS
ARE UP THE STREET THE OTHER DIRECTION,

266
00:12:39,583 --> 00:12:41,794
WHO IN THE HELL IS
THIS ROOKIE SHOOTING AT?

267
00:12:41,828 --> 00:12:44,374
WELL, HE DIDN�T KNOW
ABOUT THE BAD GUYS UP THE STREET, THIS BAKER.

268
00:12:44,407 --> 00:12:47,188
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS.

269
00:12:47,221 --> 00:12:50,605
GOTTA HELP SZYMANSKI, NO?

270
00:12:50,638 --> 00:12:52,213
REMAINS TO BE SEEN.

271
00:12:53,653 --> 00:12:56,065
HOW IS THIS SZYMANSKI
GETTIN� JAMMED, ANDY?

272
00:12:56,099 --> 00:12:58,813
IF THESE PLAINCLOTHES
WEREN�T WEARING COLOR OF THE DAY,

273
00:12:58,846 --> 00:13:00,387
THEY GOT WEAPONS DRAWN,

274
00:13:00,421 --> 00:13:02,598
AND SZYMANSKI GETS SHOT
FROM THEIR DIRECTION??

275
00:13:02,632 --> 00:13:06,082
HEAT OF THE MOMENT,
SZYMANSKI�S GOTTA BELIEVE THEY�RE THE GUYS WHO SHOT HIM.

276
00:13:06,115 --> 00:13:08,025
WHO�S GONNA HANG HIM
FOR THAT?

277
00:13:12,514 --> 00:13:13,486
MY OFFICE.

278
00:13:16,233 --> 00:13:17,773
REMAINS TO BE SEEN.

279
00:13:45,914 --> 00:13:47,991
I WANT BOTH THOSE
PLAINCLOTHES� GUNS CHECKED.

280
00:13:48,025 --> 00:13:49,800
SZYMANSKI INSISTS
THEY SHOT AT HIM.

281
00:13:49,833 --> 00:13:51,676
I WANT TO MAKE SURE
HE�S NOT RIGHT.

282
00:13:51,710 --> 00:13:53,217
PLAINCLOTHES
DIDN�T SHOOT AT HIM.

283
00:13:53,250 --> 00:13:55,060
AND HOW DO WE KNOW THAT?

284
00:13:55,094 --> 00:13:57,204
�CAUSE IT�S THE ONE MISTAKE
THEY DIDN�T MAKE.

285
00:13:57,237 --> 00:13:59,682
MY GUY THREW THE SHOT
HIT SZYMANSKI, BOSS??

286
00:13:59,717 --> 00:14:01,357
THIS ROOKIE COP BAKER.

287
00:14:01,391 --> 00:14:02,765
AND HE ADMITS THAT?

288
00:14:02,798 --> 00:14:05,310
YEAH,
HE ADMITTED IT TO ME.

289
00:14:05,344 --> 00:14:07,924
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS,

290
00:14:07,958 --> 00:14:10,269
THROWS A SHOT
THAT HITS SZYMANSKI INSTEAD.

291
00:14:10,302 --> 00:14:12,112
THIS BEING
BEHIND THE PLAINCLOTHES

292
00:14:12,145 --> 00:14:14,322
NOT WEARING
THE COLOR OF THE DAY,

293
00:14:14,355 --> 00:14:16,601
SO NEITHER THIS BAKER
NOR SZYMANSKI KNOW THEY WERE COPS.

294
00:14:16,634 --> 00:14:18,309
I SEE.

295
00:14:18,342 --> 00:14:20,687
THESE GUYS RAN
THE TABLES, YOU KNOW.

296
00:14:20,721 --> 00:14:23,400
THEY WEREN�T EVEN
WEARING THEIR VESTS, NEITHER OF THE PLAINCLOTHES.

297
00:14:23,434 --> 00:14:25,310
SO ARE WE GONNA TRY

298
00:14:25,344 --> 00:14:28,325
TO PUT HUDSON�S
GETTING SHOT 5 TIMES AT CLOSE RANGE

299
00:14:28,359 --> 00:14:31,340
ON SOME MISTAKE
HE AND DONALDSON MADE, TOO?

300
00:14:31,374 --> 00:14:33,350
NO, I DON�T THINK
ANDY�S SAYING THAT, BOSS.

301
00:14:33,384 --> 00:14:36,365
WELL, I THINK
WE CAN PUT THE 5 BULLETS OFF SZYMANSKI BEING SHOT

302
00:14:36,399 --> 00:14:38,711
AND SEEING HUDSON
IN FRONT OF HIM WITH A GUN

303
00:14:38,744 --> 00:14:40,620
AND DECIDING
TO TAKE CARE OF BUSINESS.

304
00:14:40,653 --> 00:14:42,630
HUDSON NOT BEING
CONSCIOUS JUST NOW

305
00:14:42,663 --> 00:14:44,439
TO TELL US
WHETHER OR NOT HE,

306
00:14:44,472 --> 00:14:46,449
UM, IDENTIFIED HIMSELF
AS A COP WHILE SZYMANSKI

307
00:14:46,482 --> 00:14:48,459
POURED ROUND AFTER ROUND
AFTER ROUND IN HIM.

308
00:14:48,492 --> 00:14:51,944
YEAH, WELL, MAYBE IF HE
WAS WEARING A VEST LIKE HE WAS SUPPOSED TO DO,

309
00:14:51,978 --> 00:14:54,623
HUDSON�D BE CONSCIOUS NOW
SO HE COULD TELL US THAT.

310
00:14:54,656 --> 00:14:56,165
YOU HAD DONALDSON
SITTING IN FRONT OF YOU.

311
00:14:56,199 --> 00:14:58,175
DID YOU ASK HIM WHAT
SZYMANSKI LOOKED LIKE

312
00:14:58,209 --> 00:15:00,085
WHILE HE WAS PUTTING 5
IN HUDSON�S BELLY?

313
00:15:00,119 --> 00:15:03,034
NO, I DIDN�T ASK DONALDSON
WHAT SZYMANSKI LOOKED LIKE.

314
00:15:03,067 --> 00:15:06,449
I DIDN�T KNOW
THAT FACIAL EXPRESSIONS WERE POSSIBLE FELONIES.

315
00:15:06,482 --> 00:15:07,924
5 BULLETS IS
A LOT OF BULLETS.

316
00:15:07,958 --> 00:15:10,202
I�M INTERESTED
IN SZYMANSKI�S MIND?SET.

317
00:15:10,235 --> 00:15:13,250
HEY, BOSS, IF YOU STILL
NEED TO HURT SZYMANSKI,

318
00:15:13,284 --> 00:15:15,728
YOU BETTER DO IT
WITH A BLUNT INSTRUMENT,

319
00:15:15,761 --> 00:15:18,242
BECAUSE HE WAS RIGHT
IN THIS SHOOTING.

320
00:15:18,275 --> 00:15:19,314
[FRUSTRATED SIGH]

321
00:15:40,652 --> 00:15:42,329
[PUNCHING]

322
00:15:44,072 --> 00:15:46,986
IT�S OVER!
IT�S OVER! IT�S OVER!

323
00:15:47,020 --> 00:15:48,359
IT�S OVER.

324
00:15:52,279 --> 00:15:53,584
WHERE�S
THE FIRST?AID KIT?

325
00:15:53,617 --> 00:15:55,327
CABINET IN MY OFFICE.

326
00:15:55,360 --> 00:15:57,570
DON�T YOU START
BEATING ON EACH OTHER, YOU HEAR ME?

327
00:16:15,962 --> 00:16:17,237
WHAT DID YOU HEAR?

328
00:16:17,270 --> 00:16:18,875
HEY, I AIN�T
HEARD NOTHIN�.

329
00:16:18,909 --> 00:16:21,390
YOU DIDN�T
HEAR NOTHIN�, AM I RIGHT?

330
00:16:21,424 --> 00:16:23,267
I GOT PROBLEMS
OF MY OWN.

331
00:16:39,847 --> 00:16:40,752
[LOCKS DOOR]

332
00:16:42,229 --> 00:16:43,467
[LOCKS DOOR]

333
00:16:44,772 --> 00:16:46,949
WHAT�S THE MATTER
WITH THE BOTH OF YOU?

334
00:16:50,735 --> 00:16:52,445
I�LL TRANSFER
THE HELL OUT,

335
00:16:52,479 --> 00:16:55,227
I�M TELLING THE BOTH OF YOU
RIGHT NOW.

336
00:16:55,260 --> 00:16:57,504
I�M NOT WORKING
WHERE THIS CRAP GOES ON.

337
00:16:59,714 --> 00:17:00,985
LOCK THIS.

338
00:17:16,432 --> 00:17:17,136
[LOCKS DOOR]

339
00:18:19,346 --> 00:18:20,289
HEY, SHANNON.

340
00:18:20,322 --> 00:18:21,556
YOU GOT A MINUTE?

341
00:18:21,589 --> 00:18:24,371
WHAT�S GOING ON?

342
00:18:24,404 --> 00:18:25,943
YOUR P. A. A. TOOK
A COLLAR IN THE 2?7.

343
00:18:25,978 --> 00:18:27,218
OH, MAN.

344
00:18:27,251 --> 00:18:28,357
EVIDENTLY,
SHE SHOPLIFTED

345
00:18:28,391 --> 00:18:29,396
SOME PERFUME
AT RUTHERFORD�S,

346
00:18:29,429 --> 00:18:30,969
PLUS THERE WAS
SOME BACK?AND?FORTH

347
00:18:31,003 --> 00:18:32,644
WITH THE SECURITY BOSS
GRABBED HER UP.

348
00:18:32,677 --> 00:18:34,587
DOLORES DIDN�T SAY
SHE WAS A P. A. A.?

349
00:18:34,621 --> 00:18:37,167
COP THAT TOOK THE COMPLAINT,
TEDDY DELFINO,

350
00:18:37,201 --> 00:18:39,779
RECOGNIZED HER FROM
BEING OVER HERE RETURNING SOME VOUCHERED PROPERTY.

351
00:18:39,812 --> 00:18:41,957
DID DELFINO
SAY WHAT KIND OF BACK?AND?FORTH

352
00:18:41,991 --> 00:18:44,135
THERE WAS
WITH DOLORES AND THE SECURITY SUPERVISOR?

353
00:18:44,169 --> 00:18:45,776
YEAH. TEDDY SAID
THE SUPERVISOR SAID

354
00:18:45,809 --> 00:18:48,457
SHE WAS OFFERING SEX
IF HE�D LET HER GO FOR THE SHOPLIFTING.

355
00:18:48,491 --> 00:18:49,963
AND WHAT WAS
DOLORES� STORY?

356
00:18:49,998 --> 00:18:53,917
THAT THE SUPERVISOR
TRIED TO GET OVER ON HER IN HIS OFFICE.

357
00:18:53,950 --> 00:18:56,397
DELFINO�S AT HIS HOUSE
IF YOU WANT TO CALL HIM.

358
00:18:56,431 --> 00:18:58,340
YEAH. WE�LL, UH,
WE�LL CALL DELFINO NOW.

359
00:18:58,373 --> 00:19:00,350
OK. SHE SEEMS LIKE
A REALLY NICE GIRL.

360
00:19:00,383 --> 00:19:01,957
YEAH.

361
00:19:01,991 --> 00:19:02,962
[SIGHS]

362
00:19:02,996 --> 00:19:04,604
HER NOT REACHING OUT
IS BAD.

363
00:19:04,637 --> 00:19:07,987
IF WE MAKE THIS GO AWAY
AND SHE�S LOOKING TO JAM HERSELF UP,

364
00:19:08,021 --> 00:19:09,629
WE DIDN�T DO HER
ANY FAVORS.

365
00:19:09,662 --> 00:19:11,772
MIGHT JUST PUSH HER
INTO SOMETHING WORSE.

366
00:19:14,118 --> 00:19:15,626
THE THINKER.

367
00:19:15,659 --> 00:19:17,903
DOES THIS HAPPEN OFTEN?

368
00:19:19,210 --> 00:19:20,784
WORLD WAR III.

369
00:19:20,817 --> 00:19:22,158
BETWEEN WHO?

370
00:19:22,192 --> 00:19:23,566
ANDY AND THE BOSS.

371
00:19:25,240 --> 00:19:26,547
ONE MINUTE
THEY�RE TALKING LIKE GENTLEMEN

372
00:19:26,581 --> 00:19:27,652
ABOUT THE CASE??

373
00:19:27,686 --> 00:19:29,428
SZYMANSKI SHOOTING
THE PLAINCLOTHES?

374
00:19:29,461 --> 00:19:30,734
NEXT THING,
THEY�RE BREAKING EACH OTHER�S SHOES,

375
00:19:30,767 --> 00:19:32,376
NEXT THING, THEY�RE
IN THE BATHROOM

376
00:19:32,410 --> 00:19:33,481
HITTIN� EACH OTHER
WITH HAYMAKERS.

377
00:19:37,099 --> 00:19:38,372
WAS HE HERE FOR IT?

378
00:19:38,406 --> 00:19:40,817
HE SAID HE�S GOT
HIS OWN PROBLEMS.

379
00:19:40,852 --> 00:19:42,761
AND NO ONE ELSE WAS HERE?

380
00:19:42,794 --> 00:19:45,374
THAT SZYMANSKI WAS
IN THE COFFEE ROOM. THE DOOR WAS CLOSED.

381
00:19:47,116 --> 00:19:48,657
UM...

382
00:19:48,691 --> 00:19:51,169
GREG AND JAMES ARE STILL
AT THE PROJECTS, UM,

383
00:19:51,203 --> 00:19:54,352
LOOKING FOR THE TWO
THAT GOT IT STARTED.

384
00:19:54,385 --> 00:19:56,797
DID YOU GET ANYTHING
ON CANVASS?

385
00:19:56,831 --> 00:19:59,344
PLENTY. JUST NOTHING
THAT MADE ANY SENSE.

386
00:20:04,905 --> 00:20:06,279
ARE THEY ALL RIGHT
ALONE IN THERE?

387
00:20:06,312 --> 00:20:07,786
BEATS THE HELL
OUT OF ME.

388
00:20:10,801 --> 00:20:14,184
[DONALDSON SPEAKING
INAUDIBLY]

389
00:20:16,462 --> 00:20:18,305
WHO ARE YOU
TALKING TO?

390
00:20:19,377 --> 00:20:20,817
THE HOSPITAL.

391
00:20:31,605 --> 00:20:33,213
[SIGHS]

392
00:20:33,246 --> 00:20:35,792
WE GOTTA FIGURE
SOMETHING OUT.

393
00:20:38,706 --> 00:20:41,588
WE COULD KILL EACH OTHER,
I COULD GET A HEART ATTACK, OR SO FORTH.

394
00:20:41,621 --> 00:20:44,033
HAVE YOU GOT CHEST PAIN?

395
00:20:44,067 --> 00:20:45,910
NO.

396
00:20:45,943 --> 00:20:47,484
YOU?

397
00:20:47,517 --> 00:20:51,470
BUT MY FATHER DIED
OF A HEART ATTACK WHEN HE WAS 43.

398
00:20:51,504 --> 00:20:53,983
WHAT, DID HE HAVE
A BAD DIET?

399
00:20:55,524 --> 00:20:57,701
HE HAD HYPERTENSION.

400
00:20:57,735 --> 00:20:59,410
AND HE WAS A DRUNK.

401
00:21:07,116 --> 00:21:09,127
IT�S THE TONE
THAT SETS ME OFF.

402
00:21:09,160 --> 00:21:10,668
THAT LOOK.

403
00:21:10,701 --> 00:21:13,650
"I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE."

404
00:21:13,683 --> 00:21:15,358
THAT�S THE LOOK
THAT SETS YOU OFF?

405
00:21:15,391 --> 00:21:16,262
YEAH, THAT�S THE LOOK.

406
00:21:16,295 --> 00:21:17,904
I THOUGHT YOU
PATENTED THAT AT BIRTH.

407
00:21:17,937 --> 00:21:21,053
I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE.

408
00:21:21,087 --> 00:21:24,202
YOU�RE A DRUNK.
YOU�RE A MESS. YOU GOT RACE PREJUDICE.

409
00:21:24,235 --> 00:21:25,743
MAKE THAT MOVE
WITH YOUR THUMB LIKE YOU DID FOR SORENSON,

410
00:21:25,777 --> 00:21:27,485
POINTING AT ME
IN MY OFFICE.

411
00:21:27,519 --> 00:21:29,227
THAT POINT
I�D LOST MY TEMPER.

412
00:21:29,260 --> 00:21:32,075
THAT�S WHAT GOT US
THROWING PUNCHES, DOING THAT WITH YOUR THUMB.

413
00:21:32,108 --> 00:21:33,984
WE THREW PUNCHES
�CAUSE YOU CHASED IN HERE AFTER ME.

414
00:21:34,017 --> 00:21:35,659
I DON�T TAKE THAT
OFF ANYBODY,

415
00:21:35,693 --> 00:21:37,937
THAT??THAT
"WHAT DO YOU EXPECT?" THUMB STUFF.

416
00:21:37,971 --> 00:21:39,645
LOOK, LOOK, LOOK.

417
00:21:41,153 --> 00:21:43,632
NO, YOU�RE RIGHT.

418
00:21:43,665 --> 00:21:45,542
I�VE WORKED TOO HARD.

419
00:21:45,575 --> 00:21:47,150
THEY�LL LAUNCH US
OUT OF HERE.

420
00:21:47,183 --> 00:21:50,265
ANY BIG FUTURE
YOU GOT AT ONE P. P., YOU CAN FORGET ABOUT IT.

421
00:21:50,298 --> 00:21:54,755
THAT�S THE KIND
OF SIDEWAYS CRACK YOU NEVER MISS MAKING.

422
00:21:54,789 --> 00:21:56,027
YOU�RE NOT AMBITIOUS?

423
00:21:56,061 --> 00:21:57,569
WHAT�S WRONG
WITH BEING AMBITIOUS?

424
00:21:57,602 --> 00:21:59,210
[SIGHS]

425
00:21:59,243 --> 00:22:01,220
I WITHDRAW
THE SIDEWAYS CRACK,

426
00:22:01,253 --> 00:22:03,163
AND I WITHDRAW
MY THUMBS.

427
00:22:04,470 --> 00:22:06,514
I FEEL LIKE
I CAN READ YOUR MIND.

428
00:22:06,547 --> 00:22:08,624
I FEEL LIKE
I CAN READ YOUR MIND.

429
00:22:08,657 --> 00:22:10,969
ANY COP, ALL COLORS,

430
00:22:11,002 --> 00:22:14,318
I FEEL LIKE
I UNDERSTAND YOU THE BEST.

431
00:22:14,352 --> 00:22:17,702
NOW, HOW THE HELL
CAN THAT BE?

432
00:22:20,517 --> 00:22:21,589
THE KID�S ALL RIGHT.

433
00:22:23,632 --> 00:22:25,675
HE�S NOT GONNA
TAKE IT ANYPLACE.

434
00:22:25,709 --> 00:22:27,283
WHAT ABOUT
THE PLAINCLOTHES?

435
00:22:27,317 --> 00:22:28,455
YEAH.

436
00:22:28,489 --> 00:22:30,767
THAT MAY BE
A CONVERSATION.

437
00:22:47,920 --> 00:22:49,729
I�M ARTHUR FANCY.

438
00:22:49,762 --> 00:22:51,102
HOW DO YOU DO?

439
00:22:56,295 --> 00:22:58,171
ANYTHING OFF THE CANVASS?

440
00:22:58,204 --> 00:23:01,086
YEAH. LET�S TALK ABOUT
THE CANVASS, ANDY.

441
00:23:01,119 --> 00:23:03,799
NO, WE DIDN�T GET ANYTHING
OFF CANVASS.

442
00:23:03,832 --> 00:23:05,809
I TOLD THEM WHAT
WE FOUND OUT HERE,

443
00:23:05,842 --> 00:23:07,685
HOW THE SHOOTINGS
WENT DOWN.

444
00:23:09,360 --> 00:23:11,805
AS FAR AS ME AND HIM,
THINGS GOT...

445
00:23:11,839 --> 00:23:13,715
SOMEWHAT OUT OF HAND.

446
00:23:15,524 --> 00:23:19,209
UH, SHALL WE CALL DELFINO
ON THIS OTHER THING?

447
00:23:21,588 --> 00:23:23,832
OBVIOUSLY
YOUR CHIEF CONCERN�S YOUR PARTNER.

448
00:23:23,865 --> 00:23:26,412
YEAH. THANK GOD
HE�S STABLE NOW.

449
00:23:26,445 --> 00:23:29,226
THE SHOT
THAT HIT SZYMANSKI CAME FROM A UNIFORM COP,

450
00:23:29,259 --> 00:23:30,533
SO THAT CORROBORATES
YOUR ACCOUNT.

451
00:23:30,566 --> 00:23:33,548
WE ALSO NEED TO REPORT
YOUR NOT WEARING VESTS,

452
00:23:33,581 --> 00:23:36,797
WHICH�LL PROBABLY BE
A 10?DAY RIP.

453
00:23:36,830 --> 00:23:40,146
COULD YOU PUT IN WE WORE
THE VESTS DURING INSPECTION, LIEUTENANT,

454
00:23:40,181 --> 00:23:41,889
THEN TOOK THEM OFF
ONCE WE LEFT THE HOUSE?

455
00:23:41,923 --> 00:23:45,071
I�LL PUT IN YOUR BOSS
INSPECTED YOU FOR VESTS,

456
00:23:45,105 --> 00:23:45,875
WHETHER IT�S TRUE
OR NOT.

457
00:23:48,020 --> 00:23:50,331
THE TACTICAL ERROR,
NOT WEARING THE COLOR OF THE DAY,

458
00:23:50,365 --> 00:23:54,787
YOU CAN GET OFF
WITH A SLAP LIKE "WARNED AND ADMONISHED"

459
00:23:54,820 --> 00:23:57,546
OR PUT BACK IN UNIFORM,
WHICH AS YOU KNOW, ISN�T OUR CALL.

460
00:23:57,579 --> 00:24:01,566
LOOK, LIEUTENANT,
I KNOW THIS ISN�T YOUR CALL,

461
00:24:01,599 --> 00:24:04,144
BUT AS FAR AS THIS
GETTING WRITTEN UP,

462
00:24:04,178 --> 00:24:06,456
I DID EXPLAIN
TO THAT DETECTIVE

463
00:24:06,490 --> 00:24:08,164
HOW QUICK THE TROUBLE
JUMPED OFF.

464
00:24:08,198 --> 00:24:09,672
WHY WE DIDN�T
GET THE COLOR ON.

465
00:24:09,706 --> 00:24:11,782
THEN THAT�S HOW
HE�LL WRITE IT UP.

466
00:24:11,816 --> 00:24:13,356
THAT DETECTIVE
DOESN�T LOOK TO HURT COPS.

467
00:24:14,731 --> 00:24:15,970
OK.

468
00:24:16,004 --> 00:24:18,081
THIS WAS PERSONAL.

469
00:24:18,114 --> 00:24:19,622
YOU UNDERSTAND THAT?

470
00:24:21,632 --> 00:24:24,681
YEAH. I DON�T LOOK TO HURT
OTHER COPS EITHER, LIEUTENANT.

471
00:24:24,714 --> 00:24:26,958
ALL RIGHT.

472
00:24:26,992 --> 00:24:29,505
THINK THAT GOES FOR
THAT SZYMANSKI?

473
00:24:32,084 --> 00:24:34,228
GO BE WITH
YOUR PARTNER, DONALDSON.

474
00:24:34,261 --> 00:24:35,535
YES, SIR.
THANK YOU.

475
00:24:45,483 --> 00:24:48,464
THIS IS AS MUCH ME
AS HIM...

476
00:24:48,498 --> 00:24:51,146
THROWING MY THUMB
AT HIS NOSE.

477
00:24:51,179 --> 00:24:53,256
THAT�S WHAT SET IT OFF.

478
00:24:53,289 --> 00:24:55,066
THAT�S YOUR TAKE ON IT?

479
00:24:55,099 --> 00:24:57,612
I WASN�T TAKING
A POSITION, ANDY. I WAS SUMMARIZING YOURS.

480
00:24:59,486 --> 00:25:01,632
NEXT TIME I�LL SAY,
"I HEAR YOU."

481
00:25:01,666 --> 00:25:03,976
SO LET ME GET
A STORY SET WITH THIS BAKER.

482
00:25:10,374 --> 00:25:13,356
HOW BAD�S IT GONNA BE
FOR ME?

483
00:25:13,389 --> 00:25:14,964
IT�S NOT GONNA BE BAD,
NEIL,

484
00:25:14,997 --> 00:25:17,176
AS LONG AS
WE�RE ON THE SAME PAGE.

485
00:25:17,209 --> 00:25:18,784
ALL RIGHT.

486
00:25:18,817 --> 00:25:20,861
I�M PUTTIN� YOU TOLD ME

487
00:25:20,894 --> 00:25:22,501
AT THE SCENE

488
00:25:22,534 --> 00:25:24,646
YOU HAD SOMETHING FOR ME
ON THE INCIDENT.

489
00:25:24,681 --> 00:25:26,254
THAT I TOLD YOU THAT
AT THE SCENE.

490
00:25:26,288 --> 00:25:29,872
BUT YOU WANTED TO SAY
AT THE STATION HOUSE.

491
00:25:29,906 --> 00:25:32,251
I APPRECIATE
WHERE I THINK YOU�RE GOING WITH THIS.

492
00:25:32,284 --> 00:25:33,892
UNDER THOSE
CIRCUMSTANCES,

493
00:25:33,926 --> 00:25:35,902
THINKING THOSE GUYS
WERE BAD GUYS,

494
00:25:35,936 --> 00:25:38,381
YOU THROWING THE SHOT
IS NO JACKPOT.

495
00:25:38,414 --> 00:25:41,229
YEAH. THE POTENTIAL JACKPOT�S
NOT COMING FORWARD RIGHT AWAY.

496
00:25:41,263 --> 00:25:43,071
BUT YOU DID, NEIL. OK?

497
00:25:43,105 --> 00:25:44,411
AT THE SCENE.

498
00:25:44,444 --> 00:25:46,187
YOU CAME FORWARD TO ME

499
00:25:46,221 --> 00:25:48,464
AS ONE OF
THE INVESTIGATING DETECTIVES.

500
00:25:50,844 --> 00:25:52,552
I GOT A CONTRIBUTION
TO MAKE.

501
00:25:52,585 --> 00:25:54,193
I�M SURE YOU DO.

502
00:25:54,228 --> 00:25:56,841
WHEN I REALIZED
WHAT I DID...

503
00:25:56,874 --> 00:25:59,453
FOR VARIOUS PERSONAL
FAMILY REASONS...

504
00:26:00,927 --> 00:26:03,674
I GOT VERY AFRAID
I WOULD LOSE MY JOB.

505
00:26:03,708 --> 00:26:05,751
NEIL, YOU CHOSE
TO TELL ME.

506
00:26:05,785 --> 00:26:09,135
I LOOK TO HURT YOU
OVER AN HOUR AND A HALF DELAY,

507
00:26:09,168 --> 00:26:11,815
TOOK NO SKIN OFF
ANYONE ELSE�S NOSE, THEN I�M A BUM.

508
00:26:17,175 --> 00:26:18,951
GO ON OUT AND
TAKE CARE OF BUSINESS.

509
00:26:23,306 --> 00:26:25,148
THANKS.

510
00:26:26,756 --> 00:26:28,431
VERY MUCH.

511
00:26:36,471 --> 00:26:38,549
JUST CHECKING
IF THEY STARTED CONSTRUCTION

512
00:26:38,582 --> 00:26:39,855
ON THE GALLOWS.

513
00:26:39,888 --> 00:26:42,333
YOU WON�T GET HUNG
OFF OUR REPORT.

514
00:26:43,908 --> 00:26:45,483
WHAT HAPPENED
TO YOUR LIP?

515
00:26:51,881 --> 00:26:55,265
A ROOKIE COP SHOT YOU
FROM THE SAME DIRECTION

516
00:26:55,298 --> 00:26:57,443
AS THE PLAINCLOTHES
WHO WERE COMING AT YOU.

517
00:26:57,476 --> 00:26:59,888
THE PLAINCLOTHES
HAVING THEIR WEAPONS DRAWN,

518
00:26:59,921 --> 00:27:02,166
I MISTOOK THE SHOTS
COMING FROM THEM.

519
00:27:02,200 --> 00:27:03,707
WE ALSO FOUND OUT
THE PLAINCLOTHES

520
00:27:03,740 --> 00:27:05,348
WEREN�T WEARING
THE COLOR OF THE DAY.

521
00:27:05,382 --> 00:27:07,056
THERE YOU GO.

522
00:27:07,091 --> 00:27:08,498
THAT�S WHY I DID
WHAT I DID.

523
00:27:08,531 --> 00:27:09,503
YOU DIDN�T MENTION THAT.

524
00:27:09,536 --> 00:27:10,609
NO, I DIDN�T.

525
00:27:10,642 --> 00:27:12,450
WAS THAT �CAUSE
YOU DIDN�T NOTICE?

526
00:27:12,484 --> 00:27:14,930
I DIDN�T NOTICE THAT THEY
WEREN�T WEARING SOMETHING?

527
00:27:14,963 --> 00:27:17,275
I ALSO DIDN�T NOTICE
THAT THEY WEREN�T WEARING PINK TUTUS.

528
00:27:17,308 --> 00:27:18,582
SZYMANSKI, EVEN NOT
WEARING THE COLOR,

529
00:27:18,615 --> 00:27:20,122
IF THOSE PLAINCLOTHES
WERE WHITE,

530
00:27:20,156 --> 00:27:21,730
YOU WOULD�VE
THOUGHT TWICE.

531
00:27:21,764 --> 00:27:24,679
I WOULD�VE GIVEN THEM
A BETTER CHANCE AT BEING ON THE JOB.

532
00:27:24,712 --> 00:27:26,689
OF COURSE, THEN
THEY WOULDN�T HAVE BEEN AS GOOD AT FITTING IN.

533
00:27:26,722 --> 00:27:28,197
THE WEIGHT�S STILL
ON THEM, LIEUTENANT.

534
00:27:28,230 --> 00:27:29,368
THEY SHOULD�VE BEEN
WEARING THE COLOR.

535
00:27:29,402 --> 00:27:30,575
I DON�T DISAGREE.

536
00:27:32,015 --> 00:27:33,422
AS FAR AS YOU
PUTTING 5 IN HUDSON...

537
00:27:35,432 --> 00:27:39,385
LIEUTENANT, 5 YEARS AGO
I WAS WITH MY WIFE?TO?BE OUT IN PARK SLOPE,

538
00:27:39,418 --> 00:27:41,395
AND I GOT JUMPED
AND BEATEN BY 3 BLACK KIDS.

539
00:27:41,428 --> 00:27:44,277
ONCE THESE 3 BLACK KIDS
REALIZED I WAS A COP,

540
00:27:44,310 --> 00:27:46,185
THEY TOOK MY GUN
AND TRIED TO CUT OFF MY TRIGGER FINGER

541
00:27:46,219 --> 00:27:47,458
WITH A PENKNIFE.

542
00:27:47,492 --> 00:27:48,865
AND WHAT I WAS
STANDING HERE THINKING??

543
00:27:48,900 --> 00:27:51,445
2 YEARS AGO WHEN
I STOPPED YOU FOR THAT BUSTED TAILLIGHT

544
00:27:51,478 --> 00:27:53,053
AND BROKE YOUR BALLS,

545
00:27:53,086 --> 00:27:55,231
WAS I LOOKING
TO GET BACK AT THOSE 3 KIDS?

546
00:27:55,265 --> 00:27:57,173
AND IF I WAS,

547
00:27:57,206 --> 00:28:00,121
MAYBE THAT�S HOW
THIS BLACK PLAINCLOTHES WOUND UP SHOT,

548
00:28:00,155 --> 00:28:02,669
�CAUSE PISSING YOU OFF
GOT ME TRANSFERRED TO THIS PRECINCT

549
00:28:02,702 --> 00:28:05,515
AND DROPPING
MY DRY CLEANER OVER ON HOUSTON

550
00:28:05,549 --> 00:28:07,358
AND PUTTING ME OUT
ON THE STREET TODAY

551
00:28:07,392 --> 00:28:08,732
TO SHOOT THAT
BLACK PLAINCLOTHES COP.

552
00:28:08,765 --> 00:28:10,742
OR MAYBE THAT�S WHAT
MADE ME PUT 5 INTO HIM

553
00:28:10,775 --> 00:28:13,053
WHEN MAYBE ONE
WOULD�VE BEEN ENOUGH.

554
00:28:13,086 --> 00:28:16,001
AND IF THAT�S TRUE,
WHAT DOES IT MEAN?

555
00:28:16,035 --> 00:28:17,910
I DON�T KNOW, SZYMANSKI.

556
00:28:17,944 --> 00:28:20,558
AND I DON�T THINK MARTENS
FROM I. A. B.�s GONNA KNOW EITHER.

557
00:28:22,669 --> 00:28:24,812
AND IF IT�S ALL RIGHT
WITH YOU,

558
00:28:24,845 --> 00:28:27,458
I�M NOT GONNA GIVE HIM
A CHANCE TO DECIDE.

559
00:28:31,143 --> 00:28:32,684
THANK YOU.

560
00:28:54,459 --> 00:28:56,035
HOW�S IT GOING,
GERALD?

561
00:28:56,068 --> 00:28:58,045
DO??DO WE KNOW
EACH OTHER?

562
00:28:58,078 --> 00:28:59,820
GERALD GRISWOLD,
RIGHT?

563
00:28:59,854 --> 00:29:01,226
WELL, WHAT�S IT ABOUT?

564
00:29:01,260 --> 00:29:03,304
WE APPRECIATE
YOU COMING IN.

565
00:29:03,337 --> 00:29:05,884
I�M JILL KIRKENDALL.
THIS IS DIANE RUSSELL.

566
00:29:07,290 --> 00:29:08,932
WHAT�S IT ABOUT?

567
00:29:08,965 --> 00:29:11,679
YOU DETAINED DOLORES MAYO
FOR SHOPLIFTING

568
00:29:11,713 --> 00:29:13,153
AT RUTHERFORD�S
EARLIER TODAY.

569
00:29:13,186 --> 00:29:16,068
SHE STOLE A $49
BOTTLE OF PERFUME.

570
00:29:16,101 --> 00:29:19,083
YOU KNOW, RUTHERFORD�S
IS IN THE 27th PRECINCT,

571
00:29:19,116 --> 00:29:20,724
JUST IN CASE
YOU�RE UNAWARE.

572
00:29:20,758 --> 00:29:22,734
WE KNOW WHERE
RUTHERFORD�S IS.

573
00:29:22,768 --> 00:29:25,749
DOLORES MAYO WORKS HERE
IN THE 15th PRECINCT, GERALD.

574
00:29:25,783 --> 00:29:27,524
YOU�RE NOT TELLING ME
SHE�S A COP?

575
00:29:27,558 --> 00:29:30,607
NO. SHE WORKS
IN OUR SQUAD AS A CIVILIAN AIDE.

576
00:29:30,641 --> 00:29:34,426
DOLORES IS A DECENT PERSON
WHO�S HAVING EMOTIONAL PROBLEMS RIGHT NOW.

577
00:29:34,459 --> 00:29:36,939
WE�RE WONDERING
IF SOME ACCOMMODATION CAN�T BE MADE

578
00:29:36,972 --> 00:29:38,298
SHORT OF PRESSING THESE
SHOPLIFTING CHARGES.

579
00:29:38,332 --> 00:29:39,905
I DON�T THINK SO.

580
00:29:39,940 --> 00:29:42,485
SHE WAS HOSTILE
AND BELLIGERENT.

581
00:29:42,519 --> 00:29:45,166
HAS SHE BEEN IN TROUBLE
BEFORE IN YOUR STORE?

582
00:29:45,199 --> 00:29:48,046
I�M TELLING YOU,
SHE WAS VERY HOSTILE AND BELLIGERENT WITH ME.

583
00:29:48,080 --> 00:29:48,951
AND HOW WERE YOU
WITH HER?

584
00:29:48,985 --> 00:29:50,124
WHAT DO YOU MEAN,
HOW WAS I?

585
00:29:50,157 --> 00:29:51,765
HOW DID YOU ACT,
GERALD?

586
00:29:51,799 --> 00:29:53,473
OH, COME ON.
I COULD SEE THIS COMING.

587
00:29:53,507 --> 00:29:56,925
ALL RIGHT, LISTEN.
SHE WAS WILLING TO TRADE SEX

588
00:29:56,958 --> 00:29:58,297
IF I LET THE CHARGES GO.

589
00:29:58,331 --> 00:30:00,174
SHE MADE THAT OFFER
IN SO MANY WORDS?

590
00:30:00,207 --> 00:30:02,955
IT WAS BODY LANGUAGE.

591
00:30:02,988 --> 00:30:05,601
OH. SHE OFFERED YOU SEX
WITH BODY LANGUAGE.

592
00:30:05,634 --> 00:30:07,779
YEAH.

593
00:30:07,812 --> 00:30:10,492
ANY CHANCE YOU WEREN�T
TRANSLATING RIGHT, GERALD?

594
00:30:10,525 --> 00:30:12,201
YOU CAN BULLY ME
ALL YOU WANT.

595
00:30:12,234 --> 00:30:14,143
I KNOW WHAT
SHE WAS OFFERING.

596
00:30:14,176 --> 00:30:16,689
AND THAT�S GONNA SHOW
ON THE VIDEOTAPE FROM YOUR SECURITY OFFICE?

597
00:30:16,723 --> 00:30:19,604
NO. THE MACHINE WAS OFF.

598
00:30:19,638 --> 00:30:21,011
REALLY?

599
00:30:21,045 --> 00:30:22,754
HOW�D THAT HAPPEN?

600
00:30:22,787 --> 00:30:26,472
WE TOLD YOU
THIS GIRL IS HAVING EMOTIONAL PROBLEMS.

601
00:30:26,505 --> 00:30:28,482
SHE MAY OR MAY NOT
HAVE SHOPLIFTED SOMETHING.

602
00:30:28,515 --> 00:30:30,726
THAT DOESN�T
GIVE YOU THE RIGHT TO PREY ON HER.

603
00:30:30,759 --> 00:30:33,071
LOOK, DID SHE TELL YOU
SHE DID NOT COME IN THERE WILLINGLY?

604
00:30:33,105 --> 00:30:36,824
DOLORES DIDN�T TURN OFF
THAT VIDEO CAMERA, GERALD. THAT WAS YOU.

605
00:30:38,834 --> 00:30:41,211
SO YOU WANT TO TRY
EXPLAINING THAT TO YOUR BOSS?

606
00:30:43,255 --> 00:30:46,505
THE SHOPLIFTING
CAN GO AWAY.

607
00:30:46,538 --> 00:30:49,553
BUT DON�T TELL ME
THAT GIRL DID NOT COME ON TO ME.

608
00:30:57,459 --> 00:31:00,877
WELL, WHAT IF WE TALK
DOWNSTAIRS, DOLORES?

609
00:31:00,910 --> 00:31:01,950
FINE.

610
00:31:01,983 --> 00:31:02,920
THAT�S GREAT.

611
00:31:02,955 --> 00:31:04,897
HOW SOON CAN YOU GET IN?

612
00:31:04,931 --> 00:31:06,170
GOOD.

613
00:31:06,203 --> 00:31:07,208
OK.

614
00:31:09,051 --> 00:31:10,693
WHEN CAN SHE GET HERE?

615
00:31:10,726 --> 00:31:13,439
SHE WAS CALLING
FROM THE PAY PHONE AROUND THE CORNER.

616
00:31:13,472 --> 00:31:15,986
WOULDN�T TALK TO US
IF WE MADE HER COME UP TO THE SQUAD?

617
00:31:16,020 --> 00:31:17,996
GREG AND JAMES
AND THE BARUCH HOUSING COPS

618
00:31:18,030 --> 00:31:20,910
GRABBED UP 2 KIDS
THEY LIKE FOR STARTING ALL THIS NONSENSE.

619
00:31:20,945 --> 00:31:23,021
GREAT.

620
00:31:23,055 --> 00:31:26,103
SO, UM, WHERE ARE YOU
ON THAT JACKPOT WITH DOLORES?

621
00:31:26,136 --> 00:31:28,615
SHE�S COMING IN NOW.

622
00:31:28,648 --> 00:31:29,923
SHE�S COMING INTO WORK?

623
00:31:29,956 --> 00:31:32,266
NO. SHE�S COMING IN
TO TALK WITH US.

624
00:31:32,300 --> 00:31:35,381
THEN SHE NEEDS
TO TALK TO ME, �CAUSE THIS AIN�T WORKING.

625
00:31:35,415 --> 00:31:38,631
YOU THINK THAT PART COULD
WAIT A DAY OR SO, BOSS?

626
00:31:38,665 --> 00:31:41,178
[TELEPHONE RINGS]

627
00:31:41,211 --> 00:31:44,998
YEAH, IT CAN WAIT.

628
00:31:45,031 --> 00:31:47,208
15th SQUAD.

629
00:31:47,241 --> 00:31:48,748
YEAH.

630
00:31:51,261 --> 00:31:53,038
SHE�S DOWNSTAIRS.

631
00:32:13,943 --> 00:32:15,681
WHY DON�T YOU SIT
IN THE CHAIR, DOLORES?

632
00:32:16,991 --> 00:32:18,363
YEAH, OK.

633
00:32:18,396 --> 00:32:21,813
THANKS FOR NOT
MAKING ME COME UPSTAIRS.

634
00:32:21,848 --> 00:32:23,824
UM...

635
00:32:23,858 --> 00:32:26,470
YOU NEED TO TALK
WITH LIEUTENANT FANCY

636
00:32:26,503 --> 00:32:28,313
ABOUT MISSING WORK.

637
00:32:28,346 --> 00:32:30,894
WELL, RIGHT ABOUT NOW
I DON�T THINK THAT�S MY NUMBER?ONE PROBLEM.

638
00:32:30,928 --> 00:32:33,205
THE HEAD OF SECURITY
AT RUTHERFORD�S

639
00:32:33,238 --> 00:32:34,777
IS DROPPING CHARGES.

640
00:32:34,812 --> 00:32:36,787
IS THAT RIGHT?

641
00:32:36,822 --> 00:32:38,630
THANKS.

642
00:32:38,663 --> 00:32:41,645
DOLORES, US REACHING OUT
FOR YOU LIKE THIS

643
00:32:41,678 --> 00:32:43,055
DOESN�T HAVE TO BE
A GOOD THING.

644
00:32:43,088 --> 00:32:44,660
IT WON�T BE A GOOD THING

645
00:32:44,693 --> 00:32:47,741
IF IT KEEPS YOU
FROM FACING UP TO YOU HAVING A PROBLEM.

646
00:32:47,775 --> 00:32:50,156
I�M NOT A CAREER
KLEPTO, OK?

647
00:32:50,190 --> 00:32:52,938
A LOT OF THE KLEPTO
COLLARS I MADE, DOLORES,

648
00:32:52,971 --> 00:32:55,315
PEOPLE WERE TRYING
TO GET ATTENTION

649
00:32:55,348 --> 00:32:57,894
AND GET THEMSELVES
JAMMED UP AT THE SAME TIME.

650
00:32:57,930 --> 00:33:00,406
I JUST SAID
THIS IS THE FIRST TIME

651
00:33:00,440 --> 00:33:02,250
I EVER STOLE ANYTHING
FROM A STORE.

652
00:33:02,283 --> 00:33:04,526
IT�S NOT THE FIRST TIME
YOU GOT YOURSELF JAMMED UP

653
00:33:04,560 --> 00:33:05,865
LOOKING FOR SOME ATTENTION.

654
00:33:05,900 --> 00:33:07,546
YOU DID THAT
IN THAT STRIP CLUB JUST LAST WEEK.

655
00:33:07,580 --> 00:33:09,556
YOU�RE KINDA TALL
TO BE TALKING LIKE DR. RUTH.

656
00:33:09,590 --> 00:33:13,076
DOLORES, YOU ARE
GETTING YOURSELF IN TROUBLE,

657
00:33:13,110 --> 00:33:15,320
AND IF YOU
DON�T GET SOME HELP,

658
00:33:15,353 --> 00:33:17,096
IT�S GONNA GET WORSE.

659
00:33:17,130 --> 00:33:20,545
LISTEN, DO I
HAVE A JOB OR NOT?

660
00:33:20,578 --> 00:33:23,626
BECAUSE THAT IS
WHAT I NEED TO FIND OUT FROM THIS PLACE.

661
00:33:23,660 --> 00:33:24,431
DOLORES??

662
00:33:24,465 --> 00:33:25,603
NO!

663
00:33:25,636 --> 00:33:26,475
I MEAN IT.

664
00:33:28,251 --> 00:33:29,790
WE DON�T KNOW
ABOUT THAT.

665
00:33:29,823 --> 00:33:31,800
YOU�LL HAVE TO TALK
TO THE LIEUTENANT ABOUT THAT.

666
00:33:33,543 --> 00:33:35,753
OK.

667
00:33:35,786 --> 00:33:37,196
OK, THANKS.

668
00:33:38,535 --> 00:33:41,516
I�LL CALL HIM TOMORROW.

669
00:33:41,550 --> 00:33:43,160
OK.

670
00:33:43,193 --> 00:33:46,241
CAN I GO NOW?

671
00:33:46,275 --> 00:33:49,656
YOU WERE NEVER
IN CUSTODY, DOLORES.

672
00:33:49,690 --> 00:33:51,400
WE WERE TALKING TO YOU
AS FRIENDS.

673
00:33:53,610 --> 00:33:54,781
I KNOW.

674
00:34:08,885 --> 00:34:09,790
COME ON IN.

675
00:34:17,563 --> 00:34:19,806
OUR GUYS COLLARED
THE STREET THIEVES

676
00:34:19,840 --> 00:34:22,152
THE 2 PLAINCLOTHES
WERE CHASING WHEN THE TROUBLE STARTED.

677
00:34:22,186 --> 00:34:24,531
WHAT ABOUT
MY PART OF IT?

678
00:34:24,565 --> 00:34:27,178
WE DIDN�T FIND ANY COPS
BEHAVING CULPABLY.

679
00:34:27,211 --> 00:34:28,585
INCLUDING SZYMANSKI?

680
00:34:28,618 --> 00:34:30,395
ESPECIALLY SZYMANSKI.

681
00:34:30,428 --> 00:34:34,077
SZYMANSKI TOOK A ROUND
FROM A ROOKIE COP NAMED BAKER

682
00:34:34,112 --> 00:34:37,160
WHO SAW THE PLAINCLOTHES
RUNNING AT HIM WITH THEIR GUNS OUT

683
00:34:37,194 --> 00:34:39,773
AND MISTOOK �EM FOR PERPS.

684
00:34:39,806 --> 00:34:41,783
WHY DIDN�T BAKER
REPORT THAT AT THE SCENE?

685
00:34:41,816 --> 00:34:44,531
DETECTIVE SORENSON
SAID BAKER DID TELL HIM, AT THE SCENE,

686
00:34:44,565 --> 00:34:46,808
THAT HE HAD SOMETHING
FOR HIM,

687
00:34:46,841 --> 00:34:49,052
BUT HE WANTED TO GIVE HIM
THE DETAILS AT THE STATION HOUSE.

688
00:34:49,086 --> 00:34:50,961
HOW IS IT
EVERYONE IN MANHATTAN

689
00:34:50,995 --> 00:34:52,971
TOOK THOSE PLAINCLOTHES
FOR BAD GUYS?

690
00:34:53,005 --> 00:34:55,217
WE�LL, THEY�RE SUPPOSED
TO LOOK LIKE BAD GUYS.

691
00:34:55,251 --> 00:34:58,232
THEY�RE ALSO
SUPPOSED TO WEAR THE COLOR OF THE DAY.

692
00:34:58,266 --> 00:35:00,377
BOTH OF US KNOW
WEARING THE COLOR AT ALL TIMES,

693
00:35:00,410 --> 00:35:03,089
TROUBLE OR NOT,
MAKES THE PLAINCLOTHES AS COPS.

694
00:35:03,122 --> 00:35:05,536
DETECTIVE SIPOWICZ�S
INTERVIEW WITH DONALDSON

695
00:35:05,570 --> 00:35:08,047
ESTABLISHED
THE TROUBLE JUMPED OFF IN SUCH A WAY

696
00:35:08,081 --> 00:35:10,661
THAT THE PLAINCLOTHES
HAD TO PRIORITIZE.

697
00:35:10,695 --> 00:35:14,313
IT WAS CHASE THE PERPS
OR STOP AND PUT THE COLOR ON.

698
00:35:14,346 --> 00:35:17,328
THE PLAINCLOTHES CHOSE
TO RISK THEIR OWN SAFETY

699
00:35:17,361 --> 00:35:21,816
BY CHASING THE PERPS
IN ORDER TO PROTECT THE CITIZENS ON THE STREET.

700
00:35:21,850 --> 00:35:24,162
I ASSUME HUDSON
WASN�T WEARING HIS BULLETPROOF VEST

701
00:35:24,195 --> 00:35:25,469
FOR SIMILAR
HEROIC REASONS?

702
00:35:25,502 --> 00:35:27,512
HUDSON, BY NOT
WEARING HIS VEST,

703
00:35:27,545 --> 00:35:29,187
DIDN�T DAMAGE ANYONE
EXCEPT FOR HUDSON.

704
00:35:32,570 --> 00:35:34,447
LEAVING THE 5
THAT SZYMANSKI PUT IN HIM.

705
00:35:34,480 --> 00:35:35,853
SZYMANSKI
HAD JUST BEEN WOUNDED.

706
00:35:35,886 --> 00:35:38,901
DISCHARGING 5 ROUNDS
UNDER THOSE CIRCUMSTANCES

707
00:35:38,935 --> 00:35:40,911
IN THE HEAT OF THE MOMENT

708
00:35:40,945 --> 00:35:42,655
DOESN�T STRIKE ME
AS SURPRISING.

709
00:35:51,800 --> 00:35:54,345
WHAT HAPPENED TO
THE SIDE OF YOUR FACE?

710
00:35:54,379 --> 00:35:55,886
I BUMPED INTO A DOOR.

711
00:36:10,157 --> 00:36:11,766
DOOR?

712
00:36:24,529 --> 00:36:26,372
GOOD NIGHT.

713
00:36:26,405 --> 00:36:27,813
YEAH, GOOD NIGHT, BOSS.

714
00:36:49,755 --> 00:36:52,569
I PUT THAT THIS BAKER
APPROACHED ME AT THE CRIME SCENE.

715
00:36:52,603 --> 00:36:54,613
YEAH, THAT�S RIGHT.

716
00:36:54,646 --> 00:36:56,857
MAKES SURE
RUSSELL PUTS THAT.

717
00:36:56,890 --> 00:37:00,041
YOU KNOW, IT LOOKS LIKE
THIS PLAINCLOTHESMAN DONALDSON IS STAND?UP,

718
00:37:00,074 --> 00:37:02,854
NOT SEEING NOTHIN�
BETWEEN YOU AND THE BOSS.

719
00:37:02,887 --> 00:37:04,496
[SIGHS]

720
00:37:04,529 --> 00:37:06,874
I WAS NOT GONNA HURT
DONALDSON IN MY 5,

721
00:37:06,907 --> 00:37:08,214
OR HIS PARTNER NEITHER.

722
00:37:08,247 --> 00:37:09,721
NO, I WAS JUST SAYING??

723
00:37:09,755 --> 00:37:13,005
NEVER FEEL YOU NEED TO HELP
ME DO RIGHT BY A COP, DANNY??

724
00:37:13,039 --> 00:37:14,780
WHITE, BLACK, OR CHINESE.

725
00:37:14,814 --> 00:37:17,460
SO THAT WASN�T ANOTHER COP
YOU WERE HOOKIN� AND GRAPPLIN� WITH

726
00:37:17,493 --> 00:37:18,900
IN THE LOCKER ROOM.

727
00:37:18,934 --> 00:37:20,207
WE WEREN�T IN THERE
AS COPS.

728
00:37:20,241 --> 00:37:21,246
NO, AS IDIOTS.

729
00:37:21,280 --> 00:37:22,787
YOU THINK
IT�S THAT SIMPLE?

730
00:37:22,820 --> 00:37:24,596
HEY, ALL�S I�M SAYING...

731
00:37:24,629 --> 00:37:26,438
I�LL GET THE HELL OUT.

732
00:37:26,472 --> 00:37:30,358
TRANSFER TILL YOU
FIND A SQUAD GOT NO RACIAL TENSIONS, DANNY,

733
00:37:30,392 --> 00:37:32,267
YOU BETTER KEEP
YOUR PERSONNEL FOLDER HANDY.

734
00:37:32,302 --> 00:37:34,378
HOW ABOUT SETTLING FOR ONE
WHERE MY CO?WORKERS

735
00:37:34,412 --> 00:37:36,288
AREN�T WHISTLING PUNCHES
PAST MY EARS?

736
00:37:36,322 --> 00:37:37,327
YOU�RE RIGHT ABOUT THAT.

737
00:37:37,360 --> 00:37:38,666
THAT�S THE IDIOT PART.

738
00:37:38,699 --> 00:37:39,804
I DON�T DISPUTE YOU
ON THAT.

739
00:37:39,839 --> 00:37:40,609
THAT�S ALL.

740
00:37:42,418 --> 00:37:44,729
I JUST DON�T LIKE
GETTING STIRRED UP.

741
00:37:44,763 --> 00:37:47,778
WELL, PLEASE ACCEPT
MY APOLOGIES.

742
00:38:07,711 --> 00:38:09,854
CAR TROUBLE?

743
00:38:10,674 --> 00:38:11,836
WHEN I SAID GOOD NIGHT,

744
00:38:11,870 --> 00:38:14,651
I MEANT TO INCLUDE YOU
IN THAT.

745
00:38:14,685 --> 00:38:17,464
BOY, THERE�S SEVERAL HOURS
OF TOSSING AND TURNING

746
00:38:17,498 --> 00:38:19,172
I DON�T HAVE TO
WORRY ABOUT.

747
00:38:19,207 --> 00:38:21,318
I MEANT TO INCLUDE YOU,

748
00:38:21,351 --> 00:38:24,064
AND AT THE LAST MINUTE...

749
00:38:24,097 --> 00:38:25,471
I DIDN�T.

750
00:38:25,504 --> 00:38:27,481
SO WHAT ARE WE GONNA DO,

751
00:38:27,514 --> 00:38:29,726
EVERY SHIFT
DRAW UP A LIST

752
00:38:29,760 --> 00:38:31,770
OF POSSIBLE
MISUNDERSTANDINGS TO CLARIFY?

753
00:38:31,803 --> 00:38:34,751
NO, BUT I CAN SEE,
END OF THE SHIFT,

754
00:38:34,785 --> 00:38:37,531
MAKING SURE WE SAY
GOOD NIGHT OR SO FORTH.

755
00:38:37,564 --> 00:38:39,743
I GOT NO OBJECTION
TO THAT,

756
00:38:39,776 --> 00:38:41,116
SO THINGS
DON�T CARRY OVER.

757
00:38:46,476 --> 00:38:47,984
GOOD NIGHT.

758
00:38:48,017 --> 00:38:48,821
GOOD NIGHT.

759
00:38:55,354 --> 00:38:56,326
GOOD NIGHT.

760
00:38:56,359 --> 00:38:57,900
GOOD NIGHT.

761
00:38:57,933 --> 00:39:00,781
WHAT, ARE WE GONNA
SAY IT, LIKE, 8,000 TIMES?

762
00:39:02,523 --> 00:39:04,231
ALL RIGHT,
LET�S CUT IT OUT.

763
00:39:12,775 --> 00:39:14,785
[CHUCKLING]

764
00:39:17,196 --> 00:39:18,871
[SIGHS]

765
00:39:43,226 --> 00:39:44,968
[DOOR OPENS]

766
00:39:45,001 --> 00:39:46,509
[DOOR CLOSES]

767
00:39:54,214 --> 00:39:55,654
BABY�S SLEEPING.

768
00:39:57,732 --> 00:39:59,307
HOW�S IT GOING?

769
00:40:05,503 --> 00:40:07,045
ANDY, WHAT HAPPENED?

770
00:40:07,078 --> 00:40:09,222
NOTHING.
I WALKED INTO A DOOR.

771
00:40:10,797 --> 00:40:12,237
HOW�D IT GO AT RIKERS?

772
00:40:12,271 --> 00:40:15,287
THEY GETTING AN IDEA
WHO SHANKED SUAREZ?

773
00:40:20,780 --> 00:40:22,824
THEY GOT NO LEADS?

774
00:40:24,934 --> 00:40:29,290
SUAREZ WAS THE PUNK
OF A PRISONER WHO LOST A FIGHT.

775
00:40:29,323 --> 00:40:32,673
THE PRISONER WHO WON
TOOK SUAREZ AS A TROPHY.

776
00:40:32,706 --> 00:40:35,688
AND THE ONE WHO LOST
MURDERED SUAREZ

777
00:40:35,721 --> 00:40:38,636
TO SHOW THE OTHER GUY
THE FIGHT WASN�T OVER.

778
00:40:38,669 --> 00:40:41,383
HE COPPED TO THIS,
OR THAT�S THE STORY THAT�S CIRCULATING?

779
00:40:41,417 --> 00:40:45,034
THAT�S THE STORY
THE SNITCHES ARE TELLING.

780
00:40:45,067 --> 00:40:47,279
THERE WERE NO WITNESSES.

781
00:40:47,313 --> 00:40:49,825
NO ONE ELSE
WAS IN THE LAUNDRY ROOM.

782
00:41:10,428 --> 00:41:13,812
I KEEP THINKING
ABOUT SUAREZ CONFESSING TO A HOMICIDE

783
00:41:13,845 --> 00:41:15,487
THAT HE DIDN�T COMMIT

784
00:41:15,520 --> 00:41:17,530
SO THAT OTHER PEOPLE
WOULD THINK

785
00:41:17,563 --> 00:41:19,018
THAT HE�D DEFENDED
HIS BROTHER�S MEMORY...

786
00:41:19,051 --> 00:41:22,604
WINDING UP
IN THAT HELLHOLE AS A SEXUAL PAWN.

787
00:41:23,976 --> 00:41:27,126
AND I KEEP IMAGINING...

788
00:41:27,160 --> 00:41:30,141
WHAT HE MUST HAVE
THOUGHT THE WORLD WAS...

789
00:41:30,175 --> 00:41:31,783
AS THE SHANK WENT IN

790
00:41:31,816 --> 00:41:34,528
AND HE BLED TO DEATH ON
THAT LAUNDRY ROOM FLOOR.

791
00:41:37,176 --> 00:41:40,794
A GUY ON THE OUTSIDE
WANTS SOMETHING DONE IN PRISON,

792
00:41:40,828 --> 00:41:43,473
HE USES WHAT�S GOING ON
INSIDE.

793
00:41:44,848 --> 00:41:48,968
SAY A BAD GUY
ON THE OUTSIDE WANTS SUAREZ DEAD.

794
00:41:49,001 --> 00:41:52,418
THAT TYPE�S ALWAYS GOT
FRIENDS LOCKED UP.

795
00:41:52,451 --> 00:41:55,233
FRIENDS INSIDE TELL HIM

796
00:41:55,266 --> 00:41:57,243
SOME PRISONER�S
CARRYING A TORCH

797
00:41:57,276 --> 00:42:00,291
OVER LOSING SUAREZ
FOR HIS BED PAL,

798
00:42:00,325 --> 00:42:02,535
OR HE WANTS TO GET EVEN
WITH ANOTHER PRISONER

799
00:42:02,568 --> 00:42:04,646
GAVE HIM AN ASS?KICKING.

800
00:42:04,680 --> 00:42:07,661
MAYBE THE BAD GUY
ON THE OUTSIDE

801
00:42:07,695 --> 00:42:09,939
GETS WHAT HE WANTS DONE

802
00:42:09,973 --> 00:42:12,788
FINANCING THE OTHER PRISONER
GETTING HIS VENGEANCE.

803
00:42:16,204 --> 00:42:20,325
I�M NOT SAYING
THAT IS WHAT HAPPENED, SYLVIA,

804
00:42:20,358 --> 00:42:22,368
BUT IT�S POSSIBLE.

805
00:42:33,725 --> 00:42:36,405
YOU FEEL LIKE
YOU OWE HIM JUSTICE.

806
00:42:36,438 --> 00:42:39,855
LET ME HELP YOU
TRY TO GET IT FOR HIM.

807
00:42:39,905 --> 00:42:44,455
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